My 100 Days of Mark Making is off to a fantastic start!! I look forward to each of these mark-making sessions and learn so much from each day's series of experiments using different mark-making products and techniques.
I already shared Day 1 and 2 in my Set Up Post, but here is the remainder of Week 1's creative adventures in mark making:
3/100: Textile Paints and Circles/Dots
4/100: Dye-Na-Flow and Circles/Dots
My plan A and B were a bit of a bust...so I went with Plan C of painting with Jacquard's Dye-Na-Flow (and a bit of salt). The Dye-na-Flow sure does flow so I needed to embrace the unpredictability as I brushed it onto the fabric. I tried adding some course salt to the last print which caused the fabric paint spread in unusual patterning.
5/100: Pens + Squares
It's hip to be square! Today's dice roll involved using an assortment of black pens on 10" squares of PFD fabric. Here are the different pens I used from top left, clockwise:
- Uniball Vision Micro
- Faber-Castell Pitt Artist Pens (Brush 1-5mm and Medium 0.7mm)
- Pigma Graphic 1 Pen
- Pigma Graphic 3 Pen
Compared to the Dye-Na-Flow, I enjoyed the precision and control that was possible doodling with the pens to create these square-ish designs.
6/100: Watercolor Crayons/Blocks + Artist's Choice (Grids)
Today's dice roll involved using a variety of watercolor and water-soluble blocks to create a gridwork of marked lines:
Black/Charcoal on White Pimatex PFD (top down)
1. Caran D'Ache Neocolor II (top right)
2. Derwent Inktense Block (bottom right)
3. Stabilo Woody 3 in 1 Multi-talented pencil (bottom left)
4. Lyra Water-soluble graphite (top right)
5. Art Graf Graphite Stick (bottom right)
6. Derwent Graphite (bottom left)
White Marks on Black Pimatex PFD (top down)
1. Stabilo Woody 3 in 1 Multi-talented pencil (top right))
2. Caran D'Ache Neocolor II (bottom right)
3. Derwent Inktense Block (bottom left)
Process for Experimenting with Application of Mark Making:
1. Left side: Make marks on dry fabric (top left) and then dip brush in water and brush along marked lines (top right)
2. Right side: Spritzed fabric with water, make marks (top right), use brush, and apply more marks and brush (bottom right)
3. Air dry, heat set with hot-dry iron (bottom left)
Confession: I may need to repeat parts of this experiment as I started out very light-handed, but started to apply more pressure when marking the lines. Additionally, some of the later fabrics were still very damp when I went to heat set with hot-dry iron, which may have altered the finished look. Either way, I learned a lot from the process and love these grids!!
7/100: Textile Paints + Sunprinting
Today's sunny San Jose, CA forecast provided the perfect opportunity to sunprint. Each 10" square was soaked in water and wrung out prior to being painted with Ebony Silk & Fabric Paint by ProChemical & Dye. Pressed vinyl mats with a variety of textures and patterns were placed on top and left to air dry.
Thankfully the sun is not required as a large palm tree blocked its rays just as I finished painting!! A few leftover squares were painted, salted, folded, ironed a bit too early, and/or baked in our toaster oven ...perhaps a minute or two too long...Oops!!
These 49 squares represent nearly 3.5 yards of mark making!! Luckily I ordered a bolt of Dharma's Pimatex PFD 45" wide in both white and black so I have plenty to last for all 100 Days!
I'd love to know which products and/or techniques are on your list to try. Stay tuned for more mark-making experiments and explorations ahead! I'll be posting daily to Instagram and then weekly updates here on the blog.
What a clever plan, Mel. Your work is so wonderful I think a fabric company may be contacting you soon. Thanks for all the inspiration. I have a few paints and markers and should try this before they dry out.
ReplyDeleteHaving a game plan takes away some of the guesswork of what to do each day. Roll the dice and proceed. I hope you are inspired to pull out some of your paints and markers and play before they are dried out.
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